Kuskurza – “City Lost In Time“

Recorded by the Hopi as the “3rd step” of the great emergence. Their prophecies foretelling the day it’s
location would again be returned to them. It’s very name “Kuskurza”, the last surviving anti-deluvian word meaning literally-
“City Lost In Time”

Discovered by Robert Kryder in 2004 . The location remains undisclosed. ©2017 KRYDER EXPLORATION

° This site is under construction but can be seen as the process takes place. Content will be added and/ or updated frequently °

Area of Kuskurza containing the main King's Head Palpate, Tombs, shrines and accesses to the the substructures beneath. The entirety is laced with monumental construction indicating hidden features such as concealed or hidden entrances. This "king's head" sits atop a large worked platform and is surrounded by monuments encoded to convey detailed information including topographical, technical and spiritual instruction. All of which are assembled into a "sculpture garden" of sorts featuring shrines, causeways and vistas. The code transmitted through shapes and positions reveal entrances to the substructure of tunnels and tombs. All the monumentation is sculpted from olivine basalt using an unknown method that cleaved the stone into the desired shapes. Entering through the dark triangle shaped "doorway" one can find access meant to ascend onto the flat area atop the head and speak from behind the "crown", which is a triangular shaped palpate.

The “King’s Head” area of Kuskurza.

The pyramid is a perfect equilateral model with three sides. On its right edge we can see the "three steps" and base the line notch on the left. Above this to the upper left we see what looks like an overturned boat or "ark" positioned atop a walled off section with a small triangle in the front. Many cultures throughout the world use the overturned boat as a marker over a deceased boats-man's grave. Here we see it's symbolic use to convey the same meaning but sculpted from solid basalt. This will contain a tomb or vault of some type..

Three sided pyramid and tomb/ vault

Three steps constructed in a window of basalt blocks.

$A motif featuring the story of the great flood sculpted from olivine basalt. So hard, no known tool besides diamond tipped types will even scratch it. Yet exquisite details can clearly be seen. The man in the photo points to the wave and tempest... Which beats against geometric "constructions" of mankind. The scene is divided with a heavy lateral line terminating on the right in a cross, turned upside down at an angle of decline. Above this line is heaven and on the upper left of it we see the creator looking down upon the flood. The expression is perfect and clear needing little interpretation with it's stern gaze of disgust. The method of sculpting this looks to be both manual manipulation as well as an unknown method of causing the stone to fracture or cleave in a pre-desired shape. This is seen to be repeated throughout the site.$

The “Great Flood” Motif

This Large triangular stone is a common feature at Kuskurza. In fact it is the predominant monument used throughout the site by far. Only being out matched by the "3 steps" symbology itself. So much so that you could call these "The People of the Triangle". Which should not surprise as they are claimed to have survived in the "underworld" subterranean realm of the "second step" before emerging to the surface here the "3rd step". The triangle being strongest supporting shape. You can see me upper right examining it for scale. This is not the largest example by far, but only moderate by comparison at around 20 tons or 40,000lbs.

Large triangle Stones

Stone triangle

This is a real sunlight marker like what we see featured in many fantasy movies. But this is no fantasy! It begins at noon as a perfect circle of light. Over about thirty minutes it starts to morph into a triangle in the same position. Then the point that forms facing the concealed "door" to the right begins to stretch out getting more elongated into a spear of light that after about an hour touches the door. As time passes, the back of the "spear" of light starts to move toward the door from the left giving the illusion the light penetrates the door. This continues until the light disappears entirely. Behind and below this is an entrance to a 100' drop that required rappelling down. Leading to a chasm of interconnected faults, which when followed take us on a three hour decent through huge fissures on a floor constructed of massive pieces of basalt wedged in and paved over to appear to be a solid floor. But as we get deeper we can look up to see the "floor" was only about five feet thick and that we were now on another level about 40' below what we had just been on. This continued deeper, back and forth, level by level another two hundred feet down until we reach the collapsed tomb/ vault entrance and the main "trap".

“Morphing” sunlight marker pointing to concealed entrance.

Looking down through the open cavity exposed at the bottom of the concealed doorway. You can see the stacked blocks and wedge stones in place to conceal and prevent entry.

Doorway – walled off with stone wedges in place.

Cavity leading down at the bottom of the doorway.

Looking down the decending “shaft” before the rapell.

Looking down the descending “shaft” before the rapell.

Looking up the rope 90′ on the way down.

This is below the ceiling trap door that had collapsed leaving a hole in the floor above this. It had been covered by about 5' of material and was supported by the lintels we can see in the picture. The upright standing slab center bottom was the trap door originally positioned above the lintels as part of the ceiling. Beyond this we see the passage to the main tomb/ vault.

Collapse of the trap door to tomb/ vault that allowed entry.

This is looking past the door plate collapse at the warning marker blocking the passage to the main tomb/ vault.

The passage to the main tomb/ vault blocked by a warning stone.

Warning marker diamond blocking passage to main tomb/ vault.

About 20' past the stone diamond warning marker we turn 90 degrees left and are stopped by a 4' wide x 4' tall slab about 6" thick standing on the bottom edge like a half-door. It is balanced erect and doesn't touch either side at all. Past this about 10' we can now see what should be the final trap. Its workings exposed from a partial collapse.

Half-door slab and death trap 01

A better look over the half-door as we move closer we can now see its workings, support and trigger exposed from a partial collapse. We can also see past the trap to the open cavity beyond. If you look closely at the upper area, the top rock is triangular and has an "eye" carved into the apex. Above this gable stone is a massive chimney of loose rubble and rock. The left edge of the gable stone rests precariously and under pressure against a round "roller" stone which is part of the trigger system. This rests on a "bridge" support stone that lays across the entrance at the midpoint. And this in turn rests on pillars. Any manipulation of any component breaks the integrity of the set and the roller will slip allowing the gable to drop and all the many hundreds of tons of material in the chimney to drop and fill this entire void. A master trap 300' down through a labyrinth of faults and fissures... I could go no further at this point. Someday we will return with tech built for the job and see what lies beyond.

Half-door slab and death trap 02

Rob Kryder about to descend 200′ into the main gallery.

In this pic we can look up 150 feet high to the massive, up to 100 ton blocks that are fashioned into a "ceiling" that looks like a mountainous pile of basalt from above.

Looking up 150′ at the megalithic “ceiling” above.

Long range “boat type” trail marker @ 60 mi. from Kuskurza

$This is the "Main Gate" area of the Kuskurza complex. In total this is a very large site and this is the point the monumentation instructs the knowing where to enter. From this point of perspective (POP) we see the "Royal" monuments and the proper layout. Starting at the main cliff in the back take note of what apears to be a "pile" stacked against it, tapering down into a triangular shape. Note that at the top of this is a single dissimilar stone, grey in color with rounded features unlike the surrounding fractured basalt. This is the capstone to their pyramid. Following an imaginary line from this "capstone" down the center of the slope we bisect the "two pillars" or obelisk. Continue this imaginary line and it terminates on the center top of the large pile of boulders in a circular shape. Looking closely, we see there are three large rocks on top of this and our line hits the center block. In the edge of the pile facing us is a very large stone split down the middle with another block on top of the left half. The Large split stone is the head of a turtle (01) and the circular pile it sits against is it's body. Note the triangular stones around the perimeter making the feet. Moving back to the turtles head stone, note the split is in the form of a lightning bolt... And that the small block on the left half is another, smaller turtle (02) head "emerging"* from the old dead body of the "former" turtle (01). These are not just stone monuments on special alignments. They are a story of "Turtle Island" it's death and the emergence onto the remains of the former, across it's shell as the migration, the three stones the instruction and direction by the creator, the line of ascension through the pillars onward back up toward the capstone, the eye of the creator.$

The “Main Gate” at Kuskurza.